Showing posts with label John O'Hara. Show all posts
Showing posts with label John O'Hara. Show all posts

Tuesday, August 18, 2015

1954: Uncle Saint reporting from Fire Island?



    My cousin Katharine and I have every reason to believe the young barefoot reporter seen in this 1954 NBC news footage is our Uncle Saint. The footage is for a story about New Yorker theatre critic Wolcott Gibbs and his weekly summer newspaper The Fire Islander. Gibbs was a friend of Saint's step-father John O'Hara back then ( thus the name "Gibbsville" in so many of O'Hara's stories) and must have known J Bryan III as well. Gibbs even recruited O'Hara and other friends to write for The Fire Islander.



  With literary lions providing much of the copy, it was up to the Gibbs's reporting team to handle the day to day news and Uncle Saint, the former managing editor of The Virginia Spectator at U.VA, appears to be up to challenges like covering trustees meetings.

   In the first issue of The Fire Islander Gibbs promised his readers:

    Our reporters will be instructed to get around. There are usually twenty little communities in any community. It will be their job every week to get in touch with a representative member of each of them and come back with the facts, upon which the editors will them superimpose grammar.

  Why would Gibbs devote so much time to a little read broadsheet?

"I'm in love with the goddamn beach!"

screenshot


Tuesday, June 17, 2014

Stashed Between The Pages


    I am still finding letters and photos sealed between pages of books in the attic. From Ancestors, a 1971 novel written by the legendary New Yorker editor William Maxwell, quite a few things had been stashed for years. The most interesting are a pair of letters written to dad's step-father John O'Hara. The first is an undated letter ( probably between 1965-1969) from Pulitizer Prize winning novelist James Michener:


Dear John, 

I had the pleasure last week of hearing your step-son handle himself rather well at the forum for critics and writers. He had a tart tongue, defended his work modestly yet with vigor, and showed a sense of humor to boot. You should be proud of him, because he gave every impression of being a long-time worker. It's good to see such fellows coming along. 
Sincerely, Jim Michener



Then from Maxwell to O'Hara in another undated letter but clearly before The New Yorker's 1962 publication of "So Much Unfairness In Things":

   Court seemed to me, both in what he showed me and in what he said, so close to the edge of becoming a writer that I am going to try and see if I can beat him into it. He is the first youngster I have talked to in I don't know how many years who seemed unafraid to commit himself and unafraid of the labor of writing. He has studied you, to considerable advantage- that is, he has learned how not to be boring. If I can find his rightful material he ought to turn out all right. He strikes me as the kind of person who would be happier as a writer than something else.

   There are also three more letters from Maxwell from 1969, 1974 and 1975. The first was sent to Rural Route #5 outside Iowa City where Dad was teaching at the Writer's Workshop, happily married to Sam, and slogging his way through novel number 2: The Great Dethriffe:

    The manuscript hasn't turned up yet, but it probably will this week, and I will write you as soon as I have read it. Meanwhile, you might write in pencil on the wall above your desk the motto of our family : " Leg over leg and the dog got to Dover." It applies to everything, but to novels most of all.

   That may be the most quoted motto in our family as well. We're using it today as we try to sell a house. The letter ends on an affectionate note.

   Not having sons, I find I can't begin to tell you how gratifying that you should choose me as the old block you are a chip off.
  Yours affectionately also, B.M.


Sunday, May 22, 2011

The Stepfather: John O'Hara





"Better than anyone else, he told the truth about his time. He was a professional. He wrote honestly and well."




That is the epitaph, enscribed on a tombstone in a Princeton cemetery, that John O'Hara wrote for himself.



The best selling author of dozens of novels and short story collections, including Appointment in Samarra, BUtterfield 8, Pal Joey and Ten North Frederick, O'Hara was as gifted a writer as any of his generation.


Ernest Hemingway, Sherman Billingsley and John O'Hara at Billingsley's Stork Club



Ernest Hemingway said "If you want to read a book by a man who knows exactly what he is writing about and has written it marvelously well, read Appointment in Samarra."


But O'Hara, who grew up not in the posh country clubs of his characters but in Pennsylvania coal mining country, always had a chip on his shoulder. He developed a reputation as a terrible tempered "Champion of the Imagined Slight".


When The New Yorker's Brendan Gill offered to buy O'Hara a drink shortly after giving O'Hara's novel A Rage To Live a bad review, O'Hara said "I wouldn't sit down with a son of a bitch like you for anything in the world." There's a story of O'Hara getting into an argument with a midget sitting next to him and was about to punch him when a second midget showed up and the two together knocked O'Hara off his feet and began beating on him until the bartender broke it up.
O'Hara and Oma




But there is another O'Hara: My father's step-father. In a July 1985 article for Esquire, Dad remembered O'Hara as an "intensely shy, warm gentle man, a devoted father to his daughter, Wylie, patient, hospitable and affectionate with his visiting stepchildren and our spouses and children despite the obvious disruption we caused in his routine, and --especially in the case of my own fledgling writing career--generous with his asked-for advice."





Dad, Unknown, Me, O'Hara


The O'Hara routine meant we didn't see a lot of him when visiting Oma in Princeton. O'Hara wrote at night, usually from midnight until dawn. I remember visiting his study one morning and burning my fingers on lamps that had been on all night. I'd play with the mechanical banks and toy cars he'd lay down on the floor for me and stare at his collection of antique horns. (It's stunning to think that the entire study--with the toys, horns and those very same lamps can be visited at Penn State University.)



O'Hara's study at Penn State


O'Hara had at least two great loves in his life. The first was Belle, who gave birth to O'Hara's only daughter, Wylie, and died nine years later in 1954. The second, O'Hara often said, was the first person he saw when he entered Princeton's Trinity Church for the funeral: Belle's friend, my father's mother, Katharine Barnes Bryan. Friends called her "Sister", a childhood nickname.



After Oma's death, my dad and aunt came across a large brown bag filled with love letters O'Hara had written to our grandmother. They reveal a side of O'Hara no biographer or critic ever knew existed:


You are a lovely, splendid, dear, sensitive, knowing girl, and you are my wife and my life and I will be good to you and try to be good for you...Oh, my darling, you don't know the surpassing peace that your letters have given me. I wonder if it is so bad to be so dependent on another person as I am on you, you the symbol and cause, and , possibly, the real source of our love.



Do you know what? Not to make you self-conscious, but I think I can see how you look when you read this. Smile for John, Sister; these words are a kiss.




Oma and O'Hara



Although Appointment in Samarra did make The Modern Library's list of the best 100 English language novels of the Twentieth Century, I think the place to start is with "Do You Like It Here?" a short story about a new boy at a prep school who's accused by his corridor master of having stolen a watch.
Then you'll begin to understand why Brendan Gill ( yes, the very same Brendan Gill) ranks O'Hara "among the greatest short-story writers in English, or in any other language" and credits him with helping "to invent what the world came to call the New Yorker short story."










Monday, January 3, 2011

Oma

For Christmas my sister Lansing gave me scanned copies of two treasured photographs featuring our grandmother, Katharine Lansing Barnes. To many she was known as "Sister". To us she was Oma.






In this photograph, she and our grandfather are walking outside Central Park on a brisk wintry day. They married October 4, 1930, both in their mid-twenties. After working as a reporter and editor at various newspapers and magazines ( Parade, Town and Country, The Saturday Evening Post) Grandpa Joe joined the Navy during World War 2. After the war he worked for the CIA.





In a half hearted attempt to join the CIA the author John O'Hara ( Appointment in Samarra, Pal Joey) filled out an application and attended a dinner party arranged by his friend, our grandfather, in 1949. He got so drunk he pretty much disqualified himself from service. The next morning Oma congratulated him. She said getting drunk was the most sensible thing he could have done.





Five years later, O'Hara's wife, Belle, died and he eventually began seeing newly seperated Oma, described by Frank MacShane in The Life of John O'Hara as " a witty, stylish and outgoing person who got on with literary people such as Dorothy Parker as well as with the social world in which she was brought up". They married in 1955. Our grandfather sent a telegram of congratulations signed "Frying Pan".





They lived a comfortable life with a house in Princeton and another in Quogue. O'Hara became disenchanted with New York City (" all glass and parking lots , with no building, residential or otherwise, safe from the wrecker's big iron ball") but he and Oma were among the exclusive 540 people who attended Truman Capote's famous black and white ball at The Plaza in 1966. Sinatra was there. Mailer. Warhol. The Duke and Duchess of Windsor. Garbo.





The New York Times described arriving guests as rolling "off the assembly line like dolls, newly painted and freshly coiffed, packaged in silk, satin and jewels".


<--Truman Capote gets masked up for his ball

The ball was a great publicity stunt: the most lavish book release party of all time. The book: In Cold Blood.

Candace Bergin dancing. Mia Farrow and Frank Sinatra arriving. ( The men got rid of their masks as soon as they could).
A recent book about the "party of the century".

Inside the Plaza ballroom.